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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院像她这样的女孩我人生中最精彩的瞬间不方便的记忆非法移民我们也许已经离魂后厨装腔启示录第十一个小时外婆 Ajji复活的鲁路修江湖有道都是我的错邪恶老爸的心愿远程遇害 谋杀内幕篇胭脂债2024中国诗词大会消极的快乐，电锯的边缘史前巨鳄2盗梦空间乡村爱情交响曲旗袍2011哈林四女子第二季野性的证明理发之王
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院像她这样的女孩我人生中最精彩的瞬间不方便的记忆非法移民我们也许已经离魂后厨装腔启示录第十一个小时外婆 Ajji复活的鲁路修江湖有道都是我的错邪恶老爸的心愿远程遇害 谋杀内幕篇胭脂债2024中国诗词大会消极的快乐，电锯的边缘史前巨鳄2盗梦空间乡村爱情交响曲旗袍2011哈林四女子第二季野性的证明理发之王