剧照
剧情介绍
阿里与艾娃电影免费高清在线观看全集。
Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.陌陌影视陌陌影视樱花影院6080影院呼叫助产士第八季一九三六兰州兵变完整人生阿若瓦比女校 第二季保护者2022延南洞全球公寓女囚风暴1995未删减版心心之火法语再看我一眼1984日本的悲剧朵儿的战争犹大福冈恋爱白书11不擅长吸血的吸血鬼江陵爱之奇迹浪漫睡眠指南洛拉电台彭布罗克郡谋杀案时间简史北国之恋：1992自立你好妈妈，再见！下一站是幸福泰版国语时间审判平日下午三点的恋人宝贝快跑2013
Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.陌陌影视陌陌影视樱花影院6080影院呼叫助产士第八季一九三六兰州兵变完整人生阿若瓦比女校 第二季保护者2022延南洞全球公寓女囚风暴1995未删减版心心之火法语再看我一眼1984日本的悲剧朵儿的战争犹大福冈恋爱白书11不擅长吸血的吸血鬼江陵爱之奇迹浪漫睡眠指南洛拉电台彭布罗克郡谋杀案时间简史北国之恋：1992自立你好妈妈，再见！下一站是幸福泰版国语时间审判平日下午三点的恋人宝贝快跑2013
TIFF2021
歌会带着我们飞
#戛纳#导演双周。《自私的巨人》珠玉在前，英国本土比较有名的导演。女导演今年入围戛纳的比例实在惊人，不乏政治正确的原因。前半段可以说是醉乡民谣，中间变成k歌情人，烂俗结尾让它从优秀爱情片中剔除。小人物的卑微爱情，何来Happy ending？
比我想象中无聊很多。我想看到的是两个人的灵魂在平凡生活中的火热碰撞。但是导演把它简化为了电子乐和无聊的争吵。有点浪费我的时间了。
被拒人生，还要（偏要）跳舞。
75/100
烂番茄影评人评价怎么会那么高啊…中年人的音乐交友，音乐来了爱情说来就来了，没有任何情感的细腻度，配角脸谱化严重…
中年人为幸福放手一搏，不欠你们倒霉孩子的。不喜欢插入的几段男主在雾中听歌的印象派段落，违和而且没必要，除此之外都自然流畅，导演对角色的爱堪比寄予这片土地的深情。
#Cannes2021
在电影院多次尴尬得闭上了双眼………………
讲的是中年男女的爱情故事，虽然他们各自都被各自生活所羁绊和束缚，但是两个人还是因为对于音乐的热爱而相知和相识。
情感蛮真挚的
所有演员的表演都像火苗一样，除了变幻莫测，对其他人也有温暖、照耀以及灼烧的可能。如果电影的意义在于给答案或者引思考，那么无论素材、切入点还是观点都需要更高级甚至极致的呈现。
#戛纳#导演双周。《自私的巨人》珠玉在前，英国本土比较有名的导演。女导演今年入围戛纳的比例实在惊人，不乏政治正确的原因。前半段可以说是醉乡民谣，中间变成k歌情人，烂俗结尾让它从优秀爱情片中剔除。小人物的卑微爱情，何来Happy ending？
中年情感，整体色彩有特点
2.5 有动人之处，但整体还是太普通了。@TIFF2021
伦敦桥塌了。甜甜的恋爱《成年人们》没有了，现代精神贵族以自由恋爱之名行传统父权制之实的小伎俩被《芭比》娃娃们发现了，妈宝们怀念的童年时光和「基于规则的国际秩序」初始版本已经在更新换代「咖喱味儿」的宝妈们身上找不回来了。历史事实已经向有满足自己「无痛当妈」需求，但没有生育下一代意愿、能力和条件的西方传统父权社会证明：西方人追求的福祉已经随着他们传播的福音传到东方了，二十一世纪是「东方」女性的世纪——幸或不幸，老一辈「卷王」快要卷不动了，处于「肮脏的老街区」氛围和「左右为难，量子纠缠」状态当中：既要扭转生存处境的尴尬弈局，又要维持精英人士的体面形象、既想缓解死亡焦虑，又不肯放下身段求和——正等待爱情《降临》的「助理」传教士《阿里与艾娃》也只剩下一些装饰性的「书影音」文化遗产用以遮羞和聊以自慰了。
找到彼此最奇妙的际遇与相处的火花，不因分歧与偏差影响两颗同样的心渐渐靠近；我可以听我的所爱，你可以拥有你的过去。各种各样的身份定义和现实背景被抛在了一边，甚至不曾有最浅显的情欲插入其中；舒服的节奏，自然将这样关于邂逅的故事自然推向了讨喜的区域。走到这里，它不甘于此，抛出了“声音”与大量音乐作为展示；也可望见像《金属之声》的美妙。算上《爱的后事》，不敢小瞧这些在BAFTA出现的“路人”。
比想象中好些，剧情走向有些高开低走，但是两个主人公形象塑造的很鲜活。私心会希望灯光颜色更加去商业化。
音乐推动情节，孤独痛苦的中年人的感情～镜头唯美，口音可怕～@法国文化中心