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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院奇妙的互换人生猎凶风河谷防御全开约定〜16年的真相〜移民向前冲2没有具必秀虽然只是弄丢了手机~最终章~最后的黑客游戏男歌女唱安多第一季第二处女不准忘了我鬼玩人那年那兔那些事儿番外篇致命访客爱之全蚀蛇谷的诅咒广东十虎铁桥三之王者归来哈啰少女太阳泪1993体坛秘史：金牌门将vs 美国足协爱在唇齿间巧克力
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院奇妙的互换人生猎凶风河谷防御全开约定〜16年的真相〜移民向前冲2没有具必秀虽然只是弄丢了手机~最终章~最后的黑客游戏男歌女唱安多第一季第二处女不准忘了我鬼玩人那年那兔那些事儿番外篇致命访客爱之全蚀蛇谷的诅咒广东十虎铁桥三之王者归来哈啰少女太阳泪1993体坛秘史：金牌门将vs 美国足协爱在唇齿间巧克力