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大泽之水电影免费高清在线观看全集。
This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.陌陌影视陌陌影视樱花影院6080影院企鹅人风平浪静·独家纪录片（上）妈妈的宝盒鹰之夜福岛50死士没有电影的电影节 原罪双面女间谍第二季长剑风云第二季红玫瑰黑玫瑰猛鬼吓人决战江桥抓鬼特攻队嗡嗡声看海谁可相依粤语版海的钥匙穷友记第二季心宅猎人迷失太空1998教堂台阶上的孩子谷子和鲻鱼零之使魔4天庭板砖侠勿忘我1982
This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.陌陌影视陌陌影视樱花影院6080影院企鹅人风平浪静·独家纪录片（上）妈妈的宝盒鹰之夜福岛50死士没有电影的电影节 原罪双面女间谍第二季长剑风云第二季红玫瑰黑玫瑰猛鬼吓人决战江桥抓鬼特攻队嗡嗡声看海谁可相依粤语版海的钥匙穷友记第二季心宅猎人迷失太空1998教堂台阶上的孩子谷子和鲻鱼零之使魔4天庭板砖侠勿忘我1982
雷诺阿勇闯好莱坞。
8.5
奇怪 明明满满的悲剧气氛 最后咋大团圆了
雷诺阿在好莱坞拍的第一部片，整个故事包括大团圆的结局都很好莱坞，没看出很多雷诺阿的痕迹，不过影片本身还算精彩
雷诺阿在好莱坞拍的第一部片，整个故事包括大团圆的结局都很好莱坞，没看出很多雷诺阿的痕迹，不过影片本身还算精彩
沼泽藏人-男主誓死不供的这个层面，不就是张翠山不肯说出谢逊藏身冰火岛的原型嘛P.S.女主一开始是琳达达内尔演的，后来被替了
很好看。好莱坞而不失清简。
个性鲜明的角色，曲折而精巧的故事，一切源自好剧本。非常好莱坞的电影，虽然导演是让·雷诺阿。
Andrews这时还嫩……他让我喜欢的角色好像只有寡言硬汉，看他演这种无脑纯情少年全程cringe。
虽然大佬不承认，但真的好看啊
让雷诺阿考古3/3
简洁精悍，戏剧张力足，冲突和性格都得到较大彰显，结尾虽略有瑕疵，仍不失一部可看性很强的好片；舟行水上的场景有点假。
雷诺阿进入美国市场首部，西部片，镜头取景依然很养眼，内容就很平
3.5星，叙事精致顺畅，悬念包袱一直留到了最后，只可惜结局有点泄气，那个死亡沼泽的氛围令人想起了爱伦坡的小说，其实这个故事完全是一个拍恐怖片的好素材。。。PS过去从没觉得安妮.巴克斯特有多美，但是在这部片子里她一头蓬乱的头发看似不加修饰的野姑娘造型甚为惊艳。。。
第一次看布伦南主角的片，结果戏份还是跟配角差不多-_-||
雷诺阿的backwoods noir，Dana的五分钟侦探表演有笑到，在诗意现实的残迹里Dana也变得很罗曼蒂克，结局处的自证和Bogie版的「The Big Sleep」结局谁先出去有异曲同工之妙。对丛林法则的指涉联想到日后布努艾尔的「Death in the Garden」。
影子！影子！影子！
le destin sentimental
Jean Renoir对乡村风土人情的刻画相比大多数好莱坞的美国导演要地道不少。坚持实景拍摄是关键。人物塑造立体自然。
好家伙 好久没见那么二愣子的男主了 雷诺阿到了美国就想嘿我不拍点西部不拍点鳄鱼怎么行 然后就乱了