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魔鬼的陷阱

DVD

主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉

类型:电影地区:其它语言:其它年份:1962

 剧照

 剧情介绍

魔鬼的陷阱电影免费高清在线观看全集。
  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.陌陌影视陌陌影视樱花影院6080影院今晚开放麦第二季庇护:扭曲的恐怖和幻想故事禁忌咒纹律师岳家军第1季江湖异人传恐怖先生言叶之庭国语我只在乎你盲侠大律师2020国语总有一天2016新岳父大人我和我爸的18岁蝴蝶梦说唱女团你好,爱美丽网住你的心江南古宅家园反击战蜀山封魔传风云世家龙纹身的女孩科搜研之女 2022天龙八部被隔离数次的“天选之女”在你的冬夜里闪耀守夜者雅克·里维特星际迷航:皮卡德

 长篇影评

 短评

7。Vláčil貌似很擅长拍此类片,

5分钟前
  • Mannialanck
  • 推荐

老塔有借鉴吗?这声音处理和空间指涉真超前😂😂

7分钟前
  • Kill tcyxzmy
  • 推荐

厉害

10分钟前
  • 火山边缘
  • 推荐

7.2;可能是片長比較短,這部看著沒那麼煩人了,空間的層次張力倒是十分吸引人

15分钟前
  • 冰山李
  • 推荐

从片名来看好似恐怖甚至是奇幻的类型,但是剧情却踏踏实实围绕在平民和政权、宗教三方之间,做一番讽刺现实中的魔鬼的闹剧。被污蔑的被谣言宣称和魔鬼有染的磨坊主及其儿子,只是一心一意挖掘水源辛苦劳作。而一心想要致人于死地的宗教领袖代表和政权代表沆瀣一气,致力于宣扬谣言,将人民打到,攻击他们为恶魔。实在是做贼喊抓贼的一出好戏。文本利用奇幻的元素来讽刺、抨击特权阶层,影片甚至没有出现什么鬼怪恶魔,却已经将恶魔真正的面目描写得非常具体。

17分钟前
  • LoudCrazyHeart
  • 推荐

反宗教电影,摄影很前卫。

19分钟前
  • 大夫山客
  • 力荐

因为是捷克斯洛伐克拍得才看的,但没想到看不进去。

21分钟前
  • 梦之安魂曲
  • 还行

神父不一定是圣徒,很可能是魔鬼。当权力、嫉妒、欲望、控制占领心灵,他就走向了魔鬼的洞穴,走向覆灭。法兰提塞·维拉席的电影注重形式创新,片中模仿镰刀割麦子的镜头与《我是古巴》里割甘蔗的镜头神似;三个由远及近的长镜头,渲染战争、神权等外力对于人的压迫。

26分钟前
  • 魏伊南
  • 力荐

摄影是顶级的,有点老塔的范儿,但主题确实是让俺迷惑,有个运动镜头还挺牛的

31分钟前
  • Joeyside
  • 还行

海报画得很好,世权和神权拼成的十字像把利刃悬在人们上方,剑锋直面着走在追求爱与自由的男女。分镜与调度在告诉大家,究竟谁是恶魔谁是上帝;教会和贵族垄断着水源和土地,草地的群羊嗷嗷待哺,只能看着空荡荡的深渊沉默。

36分钟前
  • 吹月满
  • 还行

反正我有啥说啥,说错了就说错了。尽管运镜和剪辑确实迷人,但这电影让我极度迷惑,明明是个叙事性挺强的电影,我怎么捯回去看都看不明白,基本靠猜,不知道是电影本身的问题还是字幕的问题。给我的感觉不单是前言不搭后语、不符合正常人类的沟通思维,而且许多关键信息是怎么给出的我完全接收不到——包括但不限于谣言是啥、牧师来干啥的、故事背景是个什么设定、老爸去哪了甚至每个人物之间的关系......对了,还有就是牧师往什么地狱之门里头扔石头为什么可以扔那么远?地下湖边有个人,他是谁,在那干啥呢?我也是极为困惑。总结来说就是很浪费感情。

38分钟前
  • 欧.尹
  • 还行

对权力、地位的盲目崇拜才是真正的魔鬼的陷阱,莫须有的责难和罪过是人类内心的邪恶。3.5

40分钟前
  • 有心打扰
  • 推荐

无聊

44分钟前
  • 梦想高飞
  • 较差

基督教题材影片。不同于法兰提赛的《蜂之山谷》,影片中的磨坊主用自己的良心对当时的伪善的基督教展开了猛烈的进攻。等级森严的封建社会下必然容不下如此“魔鬼”,因此宗教代表牧师要杀死磨坊主,以儆效尤。但是究竟谁是魔鬼?法兰提赛用构图与光影告诉了观众。当牧师与领主谈话时,法兰提赛将牧师置于背景,光透过监狱般的窗户投向牧师,明暗对比强烈,暗示了牧师的身份。另外,马丁娜在祈祷室忏悔时,摄影机以俯视视角拍摄人物,且将硬光投射在其身上,渲染了宗教的庄严性肃穆感以及压迫感。三次的摄影机以正对磨坊门的轴线运动也是一大特色,骑马的主观视角,暗示了牧师领主的权力及最后的死亡命运。黑白画面下,每一个角色的脸部表情都如雕塑般精雕细琢,如同油画般精致,一种神秘的不可言说的氛围油然而生。

49分钟前
  • 吹牛伯爵
  • 力荐

导演保持了其水准,摄影也不错

51分钟前
  • 只抓住6个
  • 推荐

大捷克电影,哇哈哈

56分钟前
  • 西来
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魔鬼的陷阱意指希望。

59分钟前
  • 冰与火之歌
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没有暗黑的恶魔与巢穴,只有心中的嫉妒和污蔑,有云:相由心生,魔亦由心生。往下未必就是地狱,向上也不一定通往天堂,所谓“魔鬼的陷阱”,是对上帝盲信盲从者一记犀利的愚弄。

1小时前
  • 伊菲吉妮娅
  • 推荐

捷克新浪潮局外人的中世纪三部曲之一,波西米亚村庄的异教审判,还没有接下来的巨制Marketa Lazarova那么maximalist,故事也直白得多,但其诡异压迫的超自然氛围依然达到了弥漫围裹的四维效果,尤其是几段仿佛灵魂出窍的POV和如影随形的音效配乐。画面里人物与建筑、自然的位置关系匠心独运,随处都是孕育意象的死物(水罐、蜡烛、大镰刀……)。天由天主教垄断,和地说话的人一定是中了邪。几百年过去了,越来越多的人相信科学是歪理邪说,没有更毛骨悚然的了。

1小时前
  • Nightwing
  • 力荐

罕见的,一部可以有魔鬼,但是不需要上帝的电影。

1小时前
  • 我们敏熙
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